My practice explores how humans perceive, interpret, and emotionally negotiate the environments we inhabit. I am fascinated by the mechanisms of perception and the subtle processes through which memory, change, and sensory experience shape our understanding of reality. Each painting becomes a psychological landscape, a space where the external world merges with the internal one.

Science and philosophy form the conceptual backbone of my work. They guide my interest in how we construct meaning and navigate existence, and they inform the layered visual structures that question the boundaries between observation and imagination.

My work is inspired by the traditions of European landscape and seascape painting, viewed through a surrealist lens. I am always searching for the unseen emotion or thought that emerges when we encounter a beautiful environment. The English landscape tradition, with its fascination for light, weather, and the sublime, shapes my sense of environment as a living psychological entity. Surrealism encourages me to explore the dreamlike and the transformative. These influences come together in fluid, sculptural forms that appear suspended in vast spaces, where the familiar dissolves into something more metaphysical.

The recurring motifs in my work, including luminous spheres, geological abstractions, and figures drifting through expansive skies, act as metaphors for perception itself. They express the tension between human scale and cosmic immensity, between the tangible and the imagined. Through these forms, I aim to reveal the invisible frameworks that shape human experience.

Ultimately, my work suggests that perception is not passive but active. It is a continual dialogue between mind and matter, between what we see and what we believe. By reimagining the landscape as both external terrain and internal consciousness, I create spaces where viewers can engage with the shifting boundaries of reality and imagination.